Murat Ali KaravelioğluAccording to Muhibbi, a poet raised by tradition, he adhered closely to the tradition in which he was raised. His early poems, written far from Istanbul, are primitive. They are often dominated by feelings of anguish and contentment. His artistic maturity is evident in the numerous poems he wrote during his reign. He wrote poems of love, enthusiasm, excitement, heroism, and contemplation.

There is no such thing as a respected object among the people as the state.

Being a state in the world is like a breath of health

His ghazal, which begins with the couplet "Ah!", has been etched in the nation's memory and on the lips for centuries. Numerous poems commemorating his reign and his status as a world-renowned warrior can be found. There are finely crafted ghazals in which he sings of his great love for Hürrem Sultan. His poems expressing his sons' suffering are also exceptionally successful.

Assoc. Prof. Dr. Murat Ali Karavelioğlu: The Poet's Artistic Power and Poetic Language

Muhibbi, who can be considered a poet above average in terms of artistic talent, has poems, elements, and characteristics that are no different from those of Divan poetry in general. The tresses, lips, eyes, and eyebrows are present in Muhibbi, as in all poets.

The poet's language is the classical Ottoman Turkish of the period. Compared to other poets of his time, Muhibbi's language is simpler. The proportion of Arabic and Persian words is lower. Because Muhibbi was a sultan, he had to appeal to a very wide audience. As a mediocre poet, his poems contain a lot of allusions and zihafs. For example, this couplet is so simple:

I was wondering what would happen to me if I didn't see him once a day.

It's been a year since I lost sight of the moment and cried

Assoc. Prof. Dr. Karavelioğlu: Muhibbî's Masters

Muhibbi was most influenced by Turkish poets such as Nevayi, Ahmet Pasha, Necati, Baki, Fuzuli, and Hayali. For example, Ahmet Pasha:

The rose scattered on his face the amber bangs of the troubled friend

Itdi can bûyin muattar kakül-i muşkîn-i dost

Muhibbi:

On his rose face, the code of amber is the bangs of the troubled friend

He made himself a hoop for the troubled friend

The poet, influenced by Persian poets such as Sadi, Hafez, Jami, Salman, Nizami, and Attar, is also influenced by Hassan from Arabic literature. Many of his verses contain expressions of praise for these poets. This, of course, also reflects a sense of self-superiority.

In addition to these, poets such as Baki, Mesihi, Sevdayi, Ulvi, Azadi and his son Mustafa wrote parallels to his poems.

Murat Ali Karavelioğlu: What Does Muhibbi Poem Tell?

Her poetry contains expressions of praise to Allah and the Prophet. Tasavvufi Although the elements are coincidental, they were used when necessary among the materials of Divan Poetry. This is far from being the main purpose.

Muhibbi's poems can be divided into three groups in terms of content and style: 1. Poems that reflect his sovereignty, the personality and atmosphere of the sultan, or those with a heroic aspect. 2. Poems of a wise, intellectual, instructional, and advisory nature, or of a mystical-religious nature. 3. Poems of amorous, lullaby-like nature.

It is not a coincidence that words such as state, decree, sultan, abd, kul, asker, leşker, tugh, liva, shah, kishver, alem, tabl, tughra, crown etc. are frequently used in her poems.

We can find his diverse perspectives in his poems. Their sheer number makes this possible. For a poet, writing poetry is, in a sense, a migration to another world. A poet must speak of truth. He frequently uses verses and hadiths in his poetry, focusing on truths.

Muhibbi's poems are generally of amorous and lustful nature. There's clearly a connection between this and his pseudonym. He points to the essence of his poetry with the following couplet:

Whoever wishes to learn the meaning of love

Let Muhibbî read and see our notebook and divan

In some of her ghazals, she is seen expressing her deep love and respect for Allah and the Prophet.

In conclusion, Muhibbi is also a sultan of words. His poems, true to his pen name, are mostly amorous and evocative. His contemplative poems are also quite numerous. His language is simple and fluid, with fewer phrases and foreign words than some of his contemporaries. He speaks as he feels, avoiding fantasies.

Assoc. Prof. Dr. Murat Ali Karavelioğlu: Muhibbi's Patronage

Muhibbi's contribution to Turkish culture and literature was not limited to his poetry. He also contributed greatly to establishing one of the most magnificent literary and artistic circles in Turkish history. During his time, the palace, the mansions of statesmen, and the circles of tradesmen emerged as a veritable cultural and literary community. Centers such as Istanbul, Edirne, Bursa, Kütahya, Manisa, Skopje, Sarajevo, Cairo, and Baghdad were among the leading literary circles of the century and the following centuries. While folk literature flourished under the leadership of poets such as Karacaoğlan, Kul Pîrî, Karaoğlan, Âşık Garip, Âşık Kerem, and Oğuz Ali, Divan poetry was beginning to experience its golden age. Poets such as Baki, Âgehi, Emri, Figani, Fuzuli, Yahya Bey, and Zati are among the most important figures of the era.

Moreover, Suleiman the Magnificent, by having her era and victories written down, also enabled the writing of many works in the Suleimanname genre.

The words “I am very happy that an architect like Sinan and a poet like Baki emerged during the revolution” belong to Suleiman the Magnificent.

Associate Professor Murat Ali Karavelioğlu: On the Muhibbi Divan

His divan was published in prose by Coşkun Ak in 1987. The divan, which contains no qasidas, contains approximately 2,800 ghazals. It also includes poems written in verse forms such as murabba, muhammes, rubai, elifname, stanza, couplet, and mufred. As such, it is one of the most voluminous divans in our literary history after Nazmi of Edirne.

Her opinions about Muhibbi were sought Murat KaravelioğluAccording to , there are around 20 copies of the divan in Turkish libraries. 7 of these are in the Istanbul University Manuscripts (Rare Books) Library. One of the most beautiful copies of the divan is copy number 5467 in this library, which was published as a facsimile with the contributions of a private company. A copy consisting of poems written in his own calligraphy was published by Prof. Dr. Orhan Yavuz. In 2016, Prof. Dr. Kemal Yavuz and Prof. Dr. Orhan Yavuz, Muhibbi DivanThey published ', with more than 4000 poems, by collecting the poems in magazines.

Assoc. Prof. Dr. Murat Ali KaravelioğluThank you to.

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One of the researchers working on poetry magazines in Turkey is Murat Ali Karavelioğlu She has written many articles, presented papers and prepared books on this subject. Karavelioglu We would like to share with you what he said about the importance of magazines.

Thousands of poetry/nazire journals, known to be stored in various libraries in our country and around the world, are among our interesting, important, enjoyable, and even entertaining resource collections, both in terms of their general characteristics and their unique characteristics. A journal means to bring together. Therefore, as a literary term, a journal is a general term for works that contain examples of poetry from various poets, collected in a single notebook. However, this brief definition requires further clarification. Journals may contain examples from the works of a single poet, or they may include examples from poets who lived during a specific time period or belonged to a specific professional group.

There are even collections that collect only examples of poetry in a particular verse form or genre. For example, such collections include qasida collections, lugaz collections, and naat collections. Furthermore, as is well known, collections do not only contain examples of poetry. From fatwa collections to münşeat collections, from hadith collections to faraiz collections, collections covering almost every subject have been compiled. Compiled over many years, sometimes expanded by additions after the compiler/copycat's death, these works become rich works of content, like calendar pages or notebooks, containing records on a wide variety of unrelated subjects.

Any information deemed useful by the people of that time was generally recorded in journals, which is consistent with the literal meaning of the word. Presumably, before such anthologies began, records such as prayer texts, drug compositions, birth and death dates, significant dates, and important events were recorded in notebooks, a very old practice. It's not hard to guess that, with the advent of literary journals, such records were often recorded in journals under the name "fevaid."

Prof. Dr. Murat Ali Karavelioğlu: On the Compilation of Magazines

Certain rules are followed when compiling journals. Except for a few we've encountered, criteria such as alphabetical order, chronological order, and adherence to thematic integrity are often disregarded, but an arrangement based on verse forms, for example, is frequently observed. This gives rise to works with organizational characteristics, such as ghazal collections, qasida collections, and collections of musammat forms. Perhaps the most well-known example of such collections is Budinli Hisalî's compilation of matla couplets by various poets. Metal of the Nezâir’is.

Magazines may not be written in a single language. Even if a poetry magazine's language is Turkish, it's possible to find numerous examples of Arabic and Persian poetry within it. Sometimes, even RumcaPoetic examples like Serbian, Armenian, and other languages ​​are even encountered. Therefore, while such works encompass a vast period of time in one respect, they also embrace the civilizational basin to which they belong. Examining Ottoman-era Turkish poetry reveals that Arabic, Persian, and the languages ​​of other nations formed a literature within the Turkish framework. In other words, it is unthinkable that an Ottoman poet had not read Hafez, or if unable to read him, had not listened to him, or was unaware of Imre al-Qays. This reveals another richness of Turkish poetry collections.

Prof. Dr. Murat Ali Karavelioğlu: The Source Work Value of Magazines

Journals should be evaluated separately as source works. Indeed, these works hold a crucial place in the writing of literary history. It is possible to find poems in journals that, for various reasons, were not included in the divan. For example, a poet may have written poems after composing his divan, and these were recorded by enthusiasts and often included in journals. Even a poet without a divan may have all or only some of his poems in journals. Poetry/nazire journals reveal which poems by which poets were appreciated and were popular in their time and in later periods. This is particularly evident in nazire journals. Which poets were considered masters, which of their poems were nazires written for, and how long their influence lasted are all pieces of information gleaned from journals. Thus, journals reveal the literary tastes, preferences, and preferences of long periods.

Murat KaravelioğluAnother point emphasized by is this: Because journals are often compiled by individuals with meticulous attention to detail, knowledge of poetry and literature, and a keen sense of taste, the poems within them sometimes serve as corrections to the poet's divan versions. Such examples are frequently encountered when considering the journals used in divan studies. Many poets and their poems, for various reasons, who have not found a place in literary sources, especially in biography collections, are encountered in these journals, making it possible to introduce them to the literary world. Unknown aspects of poets can also be gleaned from the journals, even if only partial information is available. For example, even if two poets using the same pen name and living in the same period are sometimes confused by the biography writers, the truth can be revealed with a small tidbit of information in the journals.

Professor Murat Ali Karavelioğlu Thank you to.

* Murat Ali Karavelioğlu This is an excerpt from his own article.

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