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\r\nHe examines the metaphors used with maritime expressions one by one. The poem begins with the line, \"You pulled the frigate away from us, and the sea-going frigate has been far away from us, how many storms have I suffered on the sea-going frigate.\" The true success of the poem lies in the apt and skillful use of sailor's language in the similes, metaphors, and allusions. For example, in the following couplet, the poet uses the words \"kan\u00e2r (=shore, side)\" and \"kan\u00e2r etme (=to draw to your side, to embrace)\" appropriately and with great skill:\n\nTake the galley, O my master, while I am setting aside on the seashore,\n\nSimilarly, his use of the word Khidr (peace be upon him) is very interesting. It should be remembered that Khidr (peace be upon him) occupied a significant place in the lives of the seafaring seafarers, who lived in constant danger on the high seas. Hizir, who sails on the sea, reveals his face,\n\nKadre visits you once, seeing you on a galley.\n\nThere were other sailor poets who used the sailor's language in the 16th century. Nig\u00e2r\u00ee and Seydi Ali Reis, pen-name Katibi, are the most well-known of these. These individuals, who were not only poets but also patrons of poets, were, according to sources, well-known and beloved figures in the literary world of the period. The success of \u00c2geh\u00ee's qasida was met with great admiration and enthusiasm from the very beginning. It is no doubt that this work, which aroused universal curiosity in Istanbul's most distinguished literary circles and gatherings, was read with enthusiasm and interest. We have previously mentioned that Yet\u00eem wrote a murabba to this effect shortly before \u00c2geh\u00ee. As early as the 16th century, Molla Mehmed and a poet under the pen-name Za'f\u00ee wrote tahmis for \u00c2geh\u00ee's qasida. A. Tietze's speculation that these poets, about whom almost nothing is known, but whose name we know to be Mehmed, may be the same person, is noteworthy.\n\nIt is known that a small group of poets, including some very famous ones, wrote verses for the Qasida. These include Saati, Yahya of Ta\u015fl\u0131ca, Deruni, A\u015fki of \u00dcsk\u00fcdar, and Gubari. Some of these poets appear to have arranged the text solely formally, while others utilized only the vocabulary. Some employ an abstract narrative, while others focus on entirely different settings.\n\nBy the 17th century, we see poets like Zari and Re'fet also writing ghazals using the sailor's language. While Feyz\u00ee of Bursa wrote a ghazal in this valley in the 18th century, the 19th-century poet Rasih \u0130brahim Efendi appears to have used some maritime vocabulary but, compared to \u00c2geh\u00ee, wrote a historical poem that was quite distant from seafaring terminology. All of this reveals the distinctive contribution made by our older poets, and especially our maritime poets, to classical Ottoman Turkish, literature, and culture, from the 16th century, when Turkish seafaring reached its peak, to the 19th century, when Divan poetry reached its end of its life.\n\nAccording to our current knowledge, this trend that developed around \u00c2geh\u00ee's qasida exemplifies the way our nazire literature shaped literary fashion. Through it, we can trace the extent of interest in nautical language in the expression of various emotions, especially love, as well as the trends and tastes of the period.\n\nRESOURCES\nAbdullah Bulut; \"R\u00e2sih's A Historical Poem Concerning Ships and Sailing,\" A.\u00dc. Journal of the Institute of Turkish Studies, 21, Erzurum 2003, 73-83.\nAhmet Atilla \u015eent\u00fcrk \u2013 Ahmet Kartal; History of Old Turkish Literature for Universities, Derg\u00e2h Publications, Istanbul 2004, 281-283.\n\u00c2mil \u00c7elebio\u011flu; \u201cPoems and Some Characteristics Related to Ships in Old Turkish Literature,\u201d Proceedings of the First Black Sea Congress Throughout History, Ondokuz May\u0131s University, Faculty of Education (October 13-17, 1988), Samsun 1988, 17-47.\n\u00c2mil \u00c7elebio\u011flu; Turkish Literature during the Era of Suleiman the Magnificent, MEB Publications, Istanbul 1994, 45-48.\nAndreas Tietze; \u201cSailor's Language in 16th-Century Turkish Poetry: Nig\u00e2r\u00ee, K\u00e2tib\u00ee, Yet\u00eem\u201d, In Honor of Fuad K\u00f6pr\u00fcl\u00fc on the Occasion of His 60th Birthday, TTK Printing House, Ankara 2010, pp. 501-522.\n\nAndreas Tietze; \u201cSailor's Language in 16th-Century Turkish Poetry: The \u00c2geh\u00ee Qasida and Tahmis\u201d, T\u00fcrkiyat Magazine, 9, Istanbul 1946-1951, pp. 113-138.\n\nAndreas Tietze; \u201cSailor's Language in 16th-Century Turkish Poetry: Parables to the \u00c2geh\u00ee Qasida\u201d, In Honor of Zeki Velidi Togan (On the Occasion of His 120th Birthday), TTK Printing House, Ankara 2010, pp. 451-466.\nHaluk \u0130pekten \u2013 M. \u0130sen \u2013 R. Toparl\u0131 \u2013 N. Ok\u00e7u \u2013 T. Karabey; Dictionary of Divan Literature Names According to the Collection of Ottoman Ottoman Poetry Collections, KTB Publications, Ankara 1988.\n\u0130skender Pala; \u201c\u00c2geh\u00ee,\u201d D\u0130A, 1, Istanbul 198, 448-449.\n\u0130skender Pala; \u201cShips in the Sea of \u200b\u200bWisdom,\u201d Kubbealt\u0131 Academy Magazine, 21, 2, April 1992, 52-57.\n\u0130skender Pala; \u201cSailor's Language in Ottoman Poetry,\u201d From the Language of Poets, Kap\u0131 Publications, 2014, 289-297.\nSadeddin N\u00fczhet Ergun; \u201c\u00c2geh\u00ee,\u201d Turkish Poets, 1, 16-18.\nUfuk K\u00fcsd\u00fcl; \u201cExamples of Poems Written in Sailor\u2019s Language in the 16th Century Divan Literature-\u00c2geh\u00ee\u2019s Kaside-i Ke\u015ft\u00ee and Tahmis-Yetim\u2019in Murabba\u201d, http:\/\/ufukksdl.blogspot.com.tr\/2012\/10\/xvi-asir-divan-edebiyati-gemici-diliyle.html","protected":false},"excerpt":{"rendered":"The Maritime Poet of Classical Turkish Poetry: Agehi Murat Ali Karavelio\u011flu SUMMARY The 16th century was a period when Classical Turkish literature reached its peak in every respect. Many great poets of Turkish literature lived during this century. Poets from every corner of the Ottoman-Turkish geography played a pioneering role in the development of this literature. Especially the lands of Rumelia, as in every era, also during this period [...]","protected":false},"author":1,"featured_media":559,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[20,16,18,17,6,19],"class_list":["post-554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","tag-16-yuzyil-turk-edebiyati","tag-agehi","tag-denizcilik-terimleri","tag-kaside","tag-murat-ali-karavelioglu","tag-nazire-benzer"],"yoast_head":"\n